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Various

"The Atlantic Monthly, Volume 03, No. 19, May, 1859"

--'Yes, Sir, I sees that; but I am too old now to learn a new
line. But I find trees very hard; I can't manage them.'--So I sat down,
and drew a branch of a tree, which he said was very much in his style;
and I gave him some advice which I thought might help him, and the good
man went away so much obliged."
When the news of Mr. Seddon's death reached England, it was at once felt
by his friends that it was due to his memory that the public should be
made better acquainted with the excellence of his works. An exhibition
of them was accordingly made, and a subscription raised for the benefit
of his widow, by purchasing his large picture of Jerusalem, to be
presented to the National Gallery. The subscription was successful, and
Seddon's fame is secure.
"Mr. Seddon's works," says Mr. Ruskin, "are the first which represent
a truly historic landscape Art; that is to say, they are the first
landscapes uniting perfect artistical skill with topographical
accuracy,--being directed with stern self-restraint to no other purpose
than that of giving to persons who cannot travel trustworthy knowledge
of the scenes which ought to be most interesting to them.


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