"Shall He who to the daisy has access,
Reaching it down its little lamp of dew
To light it up through earth, do any less,
Last and best work, for you?"
SONGS OF THE SEA.
Not Dibdin's; not Barry Cornwall's; not Tom Campbell's; not any of the
"Pirate's Serenades" and "I'm afloats!" which appear in the music-shop-
windows, illustrated by lithographic vignettes of impossible ships in
impracticable positions. These are sung by landsmen yachting in still
waters and in sight of green fields, by romantic young ladies in
comfortable and unmoving drawing-rooms to the tinkling of Chickering's
pianos. What are the songs the sailor sings to the accompaniment of the
thrilling shrouds, the booming double-bass of the hollow topsails, and the
multitudinous chorus of Ocean? What does the coaster, in his brief walk
"three steps and overboard," hum to himself, as he tramps up and down his
little deck through the swathing mists of a Bank fog? What sings the cook
at the galley-fire in doleful unison with the bubble of his coppers?
Surely not songs that exult in the life of the sea. Certainly not, my
amateur friend, anything that breathes of mastery over the elements. The
sea is a real thing to him. He never is familiar with it, or thinks of it
or speaks of it as his slave. It is "a steed that knows his rider," and,
like many another steed which the men of the forecastle have mounted,
knows that it can throw its rider at pleasure, and the riders know it too.
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