The sincerity and marrow of the man reaches to his sentences. I know
not anywhere the book that seems less written. It is the language of
conversation transferred to a book. Cut these words, and they would
bleed; they are vascular and alive. One has the same pleasure in it
that we have in listening to the necessary speech of men about their
work, when any unusual circumstance give momentary importance to the
dialogue. For blacksmiths and teamsters do not trip in their speech;
it is a shower of bullets. It is Cambridge men who correct themselves,
and begin again at every half-sentence, and, moreover, will pun, and
refine too much, and swerve from the matter to the expression. Montaigne
talks with shrewdness, knows the world, and books, and himself, and
uses the positive degree; never shrieks, or protests, or prays; no
weakness, no convulsion, no superlative; does not wish to jump out of
his skin, or play any antics, or annihilate space or time; but is stout
and solid; tastes every moment of the day; likes pain, because it makes
him feel himself, and realize things; as we pinch ourselves to know
that we are awake.
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