Who
ever read the volume of Sonnets, without finding that the poet had
there revealed, under masks that are no masks to the intelligent, the
lore of friendship and of love; the confusion of sentiments in the
most susceptible, and, at the same time, the most intellectual of men?
What trait of his private mind has he hidden in his dramas? One can
discern, in his ample pictures of the gentleman and the king, what
forms and humanities pleased him; his delight in troops of friends,
in large hospitality, in cheerful giving. Let Timon, let Warwick, let
Antonio the merchant, answer for his great heart. So far from Shakspeare
being the least known, he is the one person, in all modern history,
known to us. What point of morals, of manners, of economy, of
philosophy, of religion, of taste, of the conduct of life, has he not
settled? What mystery has he not signified his knowledge of? What
office or function, or district of man's work, has he not remembered?
What king has he not taught state, as Talma taught Napoleon? What
maiden has not found him finer than her delicacy? What lover has he
not outloved? What sage has he not outseen? What gentleman has he not
instructed in the rudeness of his behavior?
Some able and appreciating critics think no criticism on Shakspeare
valuable, that does not rest purely on the dramatic merit; that he is
falsely judged as poet and philosopher.
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