Morgan,
more financial troubles,
lives with Dr. Gillman at Highgate,
undergoes medical treatment for the opium habit,
returning health and vigour,
renewed literary activity,
writes the _Biographia Literaria_,
lectures again in London,
more money troubles,
publishes _Aids to Reflection_,
accompanies Wordsworth on a tour up the Rhine,
his declining years,
contemplation of his approaching end,
his death,
Poet and Thinker.
His early bent towards poetry and metaphysics,
his prose style,
his early poems, their merits and defects,
his sonnets,
Coleridge at his best,
untimely decline of his poetic impulse,
Wordsworth's great influence on him,
Coleridge's mastery of the true ballad manner,
estimate of his poetic work,
comparison with Byron and Wordsworth,
his wonderful power of melody,
his great projects,
his critical powers,
his criticism of Shakespeare,
his philosophy,
his contemplated "Great Work,"
his materials for various poems,
his metaphysics and theology,
his discourses,
exaggerated notions of his position and influence,
his "unwritten books,"
Precocious boyhood,
descriptions of him at various times,
his voice,
his conduct as a husband,
religious nature,
revolutionary enthusiasm,
consciousness of his great powers,
generous admiration for the gifts of others,
his womanly softness,
his pride in his personal appearance,
his contempt for money,
his ill-health,
his opium-eating,
his restlessness,
best portrait of him,
his unbusinesslike nature,
sorrows of his life,
his laudanum excesses,
his talk,
his weaknesses,
Coleridge, Mrs.
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