PARTS:
Part 1
Part 2
SEARCH
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Prev | Current Page 4 | Next

"Critical Strictures on the New Tragedy of Elvira, Written by Mr. David Malloch"

He
published Bolingbroke's posthumous infidelities, causing Johnson to remark
that Bolingbroke bad charged "a blunderbuss against religion and morality"
and had "left half a crown to a beggarly Scotchman, to draw the trigger
after his death."[4] His behavior towards the memory of his friend and
collaborator Thomson was thought to be less than candid. He had written a
discreditable party pamphlet at the instigation of the Earl of Hardwicke
against the unfortunate Admiral Byng, and had then deserted Hardwicke for
the Earl of Bute, who had found him a sinecure of L300 a year. And even as
early as 1763 people were saying that he was really not the author of the
fine ballad _William and Margaret_ which he had published as his own.
Boswell, at least, had meditated an attack on Mallet before _Critical
Strictures_ was written. In the large manuscript collection of his
verses preserved in the Bodleian Library are two scraps of an unpublished
satire imitating Churchill's _Rosciad_ (1761), to be entitled _The
Turnspitiad_, a canine contest of which Mallet is the hero:
If dogg'rel rhimes have aught to do with dog,
If kitchen smoak resembles fog,
If changing sides from Hardwick to Lord B--t
Can with a turnspit's turning humour suit,
If to write verse immeasurably low,
Which Malloch's verse does so compleatly show,
Deserve the preference--Malloch, take the wheel,
Nor quit it till you bring as _gude a Chiel_![5]
And the decision to damn _Elvira_ was made in advance of the
performance, as we have seen.


Pages:
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25