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"Critical Strictures on the New Tragedy of Elvira, Written by Mr. David Malloch"

Instead of selecting the Beauties, he has pick'd out whatever
is despicable in _Shakespeare_, _Otway_, _Dryden_, and _Rowe_, like a
Pick-Pocket who dives for Handkerchiefs, not for Gold; and contents
himself with what he finds in our Great Coat Pocket, without attempting
our Watch or your Purse. Tho' Mr. _Malloch_ may only mean to borrow, yet
as he possesses no Fund of Original Genius from whence he can pay his
Debts, borrowing, we are afraid is an inadequate Expression, the harsher
one of stealing we must therefore, tho' reluctantly, substitute in its
room. In the Prologue he acknowledges himself a Culprit, but as the Loss
of what he has pilfered is insignificant to the Owners, we shall bring
him in guilty only of Petty Larcenary: We believe he has been driven,
like poor People in this severe Weather by dire Necessity, to such
dishonest Shifts.
In this Play the Author has introduced a Rebellion unparalleled in
any History, Ancient or Modern. He raises his Rebellions as a skilful
Gardener does his Mushrooms, in a Moment; and like an artful Nurse,
he lulls in a Moment the fretful Child asleep. The Prince enters an
Appartment of the Palace with a drawn Sword; this forms the Rebellion.
The King enters the same Appartment without a drawn Sword. This quashes
the Rebellion. How to credit this Story, or to pardon this poetical
Licence, we are greatly at a Loss; for we know in the Year 1745 three
thousand Mountaineers actually appeared at _Derby_.


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